Eloise Ross reviews Luca Guadagnino’s latest portrait of desire, told with the filmmaker’s unique and detailed attention to place.
Noted video essayist Kogonada turns to feature filmmaking with the striking and atmospheric Columbus.
The last of our 3 Sundance reports from Eloise Ross, wrapping up with films from Harriet Lauler, Geremy Jasper, and more.
Eloise Ross reports back from Sundance, looking at new films from Gillian Robespierre, David Lowery and more.
In our first dispatch from the Sundance Film Festival, Eloise Ross reflects on a group of political films (and one vociferously apolitical film) in what was a deeply troubling week.
With its attractive cast and soft comedy of tired stereotypes, the new film from SUPERBAD director Greg Mottola has little new to offer.
Philippe Grandrieux’s fourth feature film is an experimental and intimate melodrama fixated on the sensation of touch.
The latest film from the Ross Brothers is CONTEMPORARY COLOR, a wonderfully observed portrait of music and dance.
American director Anna Rose Holmer spoke to us about her debut feature THE FITS, screening at the inaugural Essential Independents festival.
THE FITS is a surreal take on the rhythms of adolescence, and a gripping debut from director Anna Rose Holmer.