At Sydney Film Festival, Jeremy Elphick caught up with Kirsten Tan to talk about Pop Aye, the process behind filming the work, and her career as a filmmaker refusing to remain stagnant.
Jeremy Elphick talks with WOLF AND SHEEP director Shahrbanoo Sadat about the relationship between her history and her cinema, movements that have inspired her, and how she feels Afghanistan has been portrayed on screen.
Raoul Peck’s biopic treads with caution, but despite its flaws it’s an accessible, gripping introduction to it subject.
We spoke with directors Arash Kamali Sarvestani and Behrouz Boochani about their groundbreaking Manus Island documentary Chauka, Please Tell Us The Time.
Queensland Film Festival and the Institute of Modern Art (IMA), in Queensland’s Fortitude Valley, have partnered to screen a series of experimental film programs in 2017. The IMA, an independent arts centre established in the mid-1970s, was a venue for the inaugural Queensland Film Festival in 2015. All three of the announced programs are concerned
The new film from Lav Diaz breaks from the traditions of his previous work in many ways, resulting in one of his strongest works to date.
In our second conversation with George Gittoes, we talked to the director about receiving the Sydney Peace Prize, his most recent work, and his future relationship with the city of Jalalabad.
BAPFF affirms its position as one of Australia’s most consistent, albeit youngest festivals, with its stunning 2016 programme.
THE ORNITHOLOGIST is one of Joao Pedro Rodrigues’ most conceptually impressive films, cementing him as one of Portugal’s most captivating filmmakers.
BANGKOK NITES certifies Katsuya Tomita as one of Japan’s most important filmmakers working today, as a winding, layered, and thought-provoking meditation on history and identity.