The latest incarnation of the great ape balances retro social commentary with delirious monster movie thrills.
Asghar Farhadi’s Oscar-winning drama is another of his knife-edge emotional thrillers—and a fascinating companion to Paul Verhoeven’s Elle.
Nostalgic for the turn-of-the-century action franchise, xXx: Return of Xander Cage is a monument to transcendent stupidity – and a lot of fun.
Robert Zemeckis’ World War II thriller is a peculiar return to the melodrama of Golden Age Hollywood.
Past its hyperreal presentation designed for 120 frames per second, Ang Lee delivers a soft-toothed war satire with dollops of his trademark pathos.
Clint Eastwood’s SULLY is much more than simply a celebration of dutiful bravery—it’s deeply obsessed with the anxieties of the career individual.
THE BFG’s collision of two creative giants, Steven Spielberg and Roald Dahl, is a better refraction of the director’s work than the author’s, but fascinating viewing nonetheless.
The latest venture from writer-director Jim Jarmusch is a joyous ramble that finds delight in the simple act of observing.
For all its lavish production design, the latest Disney adaptation of Lewis Carroll’s ALICE stories is plagued with both bustle and boredom.
Stephen Frears’ take on the story of a New York socialite’s unlikely singing career cheerfully toes the line between mocking the notion of bad art and becoming it.