Today is the 30th anniversary of the American release of David Cronenberg’s THE FLY. In this feature piece, Emma Westwood looks at the film’s production and legacy.
Tara Judah, a Curator for the Cinema Rediscovered festival in Bristol, England, writes on Anthony Harvey’s extraordinary film DUTCHMAN.
Alexandra Heller-Nicholas dives deep into the underseen and oft-underappreciated films of director Elaine May, whose A NEW LEAF screened at Melbourne International Film Festival this year.
Our contributors offer up their picks for the best films to see at this year’s Melbourne International Film Festival.
A mysterious download link released online today leads to THE WAS, a collage film collaboration between Australian video artists Soda_Jerk and The Avalanches.
In our fifth look at the Field of Vision Series, Jake Moody and Lidiya Josifova write on two linked shorts by Heloísa Passos.
We wrap up our extensive coverage of the 2016 Sydney Film Festival with some awards and a handy indexed list of our interviews and reviews.
In this week’s You Have To See… Ali Schnabel looks at Rowan Woods’ haunting study of Australian masculinity, THE BOYS, in light of a new restoration premiering at Sydney Film Festival.
Ahead of the Animation Showcases at Sydney Film Festival, Dominic Barlow takes a closer look at a highlight from last year’s presentation, Bobby de Groot’s CRUISE PATROL.
This year’s Sydney Film Festival is once again packed full of interesting films, both international hits and hidden gems. In this Staff Picks piece, our writing team goes through the program and picks out some of the films they are most excited to see.