Hidden Figures is an entertaining and compelling film centered on a mostly overlooked piece of history, one which acts as a nexus point for the civil rights movement and the Cold War.
2016 proved to be a turbulent year for video essayists. In this feature piece Conor Bateman writes about the impact social media has had on the form.
Anna Biller dares us to be mesmerised without being beguiled, and to parse the realm of female agency without demonising its contradictions.
We speak to the inimitable auteur about the interplay of the virtual and the physical that propels our connected world.
We spoke to NFSA Film Curator Sally Jackson about the year-long restoration project of THREE DAYS TO LIVE, a 1924 Frank Capra-edited and titled film once thought to be lost.
Noted video essayist Kogonada turns to feature filmmaking with the striking and atmospheric Columbus.
The last of our 3 Sundance reports from Eloise Ross, wrapping up with films from Harriet Lauler, Geremy Jasper, and more.
Kenneth Lonergan’s third feature film revisits his pet themes of grief, family and community, all conveyed with the sharply observed realism which defines his writing.
M. Night Shyamalan’s latest is outlandish in premise and limp in execution.
Eloise Ross reports back from Sundance, looking at new films from Gillian Robespierre, David Lowery and more.