The pairing of animator Claude Barras and screenwriter Céline Sciamma results in a wonderfully moving film about anxiety and community.
Mani Haghighi’s latest is the rare film that has the ability to remain eerie and abstract without becoming vague or untethered, and further evidence that Iran is one of the leading national cinemas when it comes to experimenting with film genre.
THE WHISPERING STAR is a minimalist change of pace for the ever-prolific Sion Sono, which doesn’t sacrifice his style or originality.
FURSONAS’ study of the American furry fandom goes from flattering to shocking, laying out the social hierarchies of an online community in admirable style.
The feature debut of Turkish director Can Evrenol turns the corruptions of masculinity into a brutal and meaningful horror tale.
We spoke to filmmaker Anna Biller about her new film THE LOVE WITCH ahead of its Australian festival screenings, and where sits in both her body of work and cinematic feminism.