Jonathan Demme’s exuberant concert film captures fleeting moments of intimacy embedded in a Justin Timberlake arena spectacular.
We spoke to Matt Johnson, director of OPERATION AVALANCHE, about his DIY filmmaking style and the perils of funding in Canada and abroad.
We spoke to directors David Farrier and Dylan Reeve about their strange and mysterious documentary TICKLED, which screened at Melbourne International Film Festival.
Nicolas Winding Refn’s fashion thriller is a simplistic and empty tale of clashing egos and sexuality that places the director’s suffocating visual maximalism front and center.
The debut feature from Cris Jones is a would-be mindbender about time and memory derailed at the outset by its overbearing approach to plot and the utter simplicity of its script.
We spoke with director Charlie Lyne about the essay film, Twitter videos and his latest feature, FEAR ITSELF, which has its Australian premiere at the Melbourne International Film Festival.
Guy Maddin, Evan Johnson and Galen Johnson turn in a bizarre and hilarious essay film in the guise of a behind-the-scenes feature on a big-budget war movie.
Filmmakers Kurt Walker and Isaac Goes have announced the launch of Kinet, an online cinema publishing platform for low-budget avant-garde cinema.
A mysterious download link released online today leads to THE WAS, a collage film collaboration between Australian video artists Soda_Jerk and The Avalanches.
In time for the Australian federal election, a new video essay from Conor Bateman on Bob Connolly and Robin Anderson’s RATS IN THE RANKS, which is 20 years old this year.