The Brazilian drama from directors Juliana Rojas and Marco Dutra works best as an engaging film about love and class, rather than the genre film it eventually becomes.
Piercing
Nicolas Pesce’s latest works best as a demonic screwball comedy, rather than as an adaptation of the Ryu Murakami novel.
Assholes
To call Peter Vack’s anilingus-filled debut feature film ‘graphic’ would be a gross understatament.