In our fifth look at the Field of Vision Series, Jake Moody and Lidiya Josifova write on two linked shorts by Heloísa Passos.
We Like Shorts, Shorts: Cruise Patrol
Ahead of the Animation Showcases at Sydney Film Festival, Dominic Barlow takes a closer look at a highlight from last year’s presentation, Bobby de Groot’s CRUISE PATROL.
We Like Shorts, Shorts: #ThisIsACoup (Field of Vision #4)
For the fourth piece in our short run series on the documentary work done under The Intercept’s Field of Vision banner, Jeremy Elphick looks at Paul Mason’s four-part look at the schism between Greece and the European Union.
We Like Shorts, Shorts: Like / Speaking is Difficult (Field of Vision #3)
For the third piece in our short run series on the documentary work done under The Intercept’s Field of Vision banner, Dominic Barlow looks at “Like” and Conor Bateman writes on “Speaking is Difficult”.
We Like Shorts, Shorts: Peace in the Valley / Concerned Student 1950 (Field of Vision #2)
For the second piece in our short run series on the documentary work done under The Intercept’s Field of Vision banner, Matilda Surtees looks at “Peace in the Valley” and Jaymes Durante writes on “Concerned Student 1950”.
We Like Shorts, Shorts: God is an Artist / Homeland Is Not a Series (Field of Vision #1)
For the first piece in our short run series on the documentary work done under The Intercept’s Field of Vision banner, Jake Moody looks at “God is an Artist” and Dominic Barlow writes on “Homeland Is Not a Series”.
We Like Shorts, Shorts: Wolf Daddy
In this week’s shorts segment we look at Jang Hyung-yun’s animation in WOLF DADDY,
We Like Shorts, Shorts: The Cub
In this week’s shorts segment we look at Riley Stearns’ festival hit THE CUB, a single gag short that displays early glimmers of the talent on show in his first feature effort, FAULTS.
We Like Shorts, Shorts: Papillon d’amour
Nicolas Provost’s striking, beautiful and almost terrifying short ‘Papillon d’amour’ sees him edit a scene from Kurosawa’s Rashômon, playing with symmetry and shapes to craft a mini-narrative within the original scene.
We Like Shorts, Shorts: Treevenge
In this instalment of We Like Short Shorts, Felix Hubble looks at a homage to classic uprising exploitation films, the practical effects testing ground of TREEVENGE