We wrap up our extensive coverage of the 2016 Sydney Film Festival with some awards and a handy indexed list of our interviews and reviews.
You Have to See… The Boys (dir. Rowan Woods, 1998)
In this week’s You Have To See… Ali Schnabel looks at Rowan Woods’ haunting study of Australian masculinity, THE BOYS, in light of a new restoration premiering at Sydney Film Festival.
We Like Shorts, Shorts: Cruise Patrol
Ahead of the Animation Showcases at Sydney Film Festival, Dominic Barlow takes a closer look at a highlight from last year’s presentation, Bobby de Groot’s CRUISE PATROL.
Staff Picks – Sydney Film Festival 2016
This year’s Sydney Film Festival is once again packed full of interesting films, both international hits and hidden gems. In this Staff Picks piece, our writing team goes through the program and picks out some of the films they are most excited to see.
We Like Shorts, Shorts: #ThisIsACoup (Field of Vision #4)
For the fourth piece in our short run series on the documentary work done under The Intercept’s Field of Vision banner, Jeremy Elphick looks at Paul Mason’s four-part look at the schism between Greece and the European Union.
American Psycho(drama) at VDB TV – A Roundtable Discussion
A group of 4:3 contributors sit down to discuss VDB TV’s latest curated selection of video art shorts, American Psycho(drama): Sigmund Freud vs. Henry Ford.
We Like Shorts, Shorts: Like / Speaking is Difficult (Field of Vision #3)
For the third piece in our short run series on the documentary work done under The Intercept’s Field of Vision banner, Dominic Barlow looks at “Like” and Conor Bateman writes on “Speaking is Difficult”.
We Like Shorts, Shorts: Peace in the Valley / Concerned Student 1950 (Field of Vision #2)
For the second piece in our short run series on the documentary work done under The Intercept’s Field of Vision banner, Matilda Surtees looks at “Peace in the Valley” and Jaymes Durante writes on “Concerned Student 1950”.
We Like Shorts, Shorts: God is an Artist / Homeland Is Not a Series (Field of Vision #1)
For the first piece in our short run series on the documentary work done under The Intercept’s Field of Vision banner, Jake Moody looks at “God is an Artist” and Dominic Barlow writes on “Homeland Is Not a Series”.
Fingering Tom – In Praise of Freddy Got Fingered, 15 Years On
Fifteen years afters its original theatrical run, Felix Hubble pens a love letter to Tom Green’s irreverent directorial debut, the infamous FREDDY GOT FINGERED.