Alex Ross Perry’s fruitful return to a romanticised celluloid Brooklyn finds tension in a group of suburbanites caught in tangled webs of familial obligation, writes Dominic Ellis.
The latest take on Stephen King’s murderous alien clown is an effective jump scare machine, satisfying and exhausting in equal measure.
At the Melbourne International Film Festival, YOURSELF AND YOURS is a sharply observed romantic comedy that’s unique among director Hong Sang-soo’s work, writes Conor Bateman.
Railway Sleepers observes a cross-section of life and activity in the railway cars that criss-cross Thailand.
Logie-award winning actor Henry Nixon reflects upon the third — and final? — instalment of the THE TRIP series, which finds our favourite travelling companions Steve Coogan and Rob Brydon lost in a labyrinth of their own metatextual design.
Josh and Benny Safdie’s energetic thriller plays out like a neon-drenched episode of COPS, propelled by Daniel Lopatin’s score and Robert Pattinson’s manic performance.
J.A. Bayona’s latest film is a roadmap through grief, childhood and the inevitable loss of loved ones.
Viktor Jakovleski’s visually striking documentary looks at Mexico’s National Pyrotechnics Festival, held annually in the city of Tultepec.
Trey Edward Shults’ contagion thriller plays out as an assured close-quarter psychodrama, anchored by a mesmerising turn from Joel Edgerton.
Morten Traavik’s truly unusual doc follows Laibach, the controversial Slovenian art rock band, on tour in North Korea.