The latest film from Bruno Forzani and Héléne Cattet is a Corsican free-fire ballet playing out against Bleu-de-France-saturated skies.
The Brazilian drama from directors Juliana Rojas and Marco Dutra works best as an engaging film about love and class, rather than the genre film it eventually becomes.
Nathaniel Kahn’s art-doc is fixated on finance but struggles to make any salient points about the development of value in art.
Sebastián Silva’s latest provocation is an exercise in alienation, following a ‘guys’ weekend’ charged with unsettling racial undertones.
The latest documentary by Véréna Paravel and Lucien Castaing-Taylor is fixated on Issei Sagawa, the infamous Japanese man who in 1981 murdered, had sex with, and cannibalised a classmate.
We speak to Australian video art duo Soda_Jerk about their new intricate cinematic collage, TERROR NULLIUS, which takes on Australian cultural myths through re-purposed film clips.
Virat Nehru speaks to director Nandita Das about her new film, which chronicles the life of one of the greatest short story writers of the 20th century.
Bernadett Tuza-Ritter’s illuminating observational documentary looks at modern day slavery in Hungary.
Ivan Čerečina reflects on the four nights of ‘The Language of the Image’ screenings at the National Gallery of Victoria, which brought together experimental film works from Gregory J. Markopoulos and Corinne and Arthur Cantrell.
Dustin Feneley’s ambitious crowd-funded debut feature Stray is a powerful and controlled drama about two lonely souls in rural New Zealand.