Sinead O’Shea’s documentary about paramilitary violence in Northern Ireland makes for devastating viewing.
Nicolas Pesce’s latest works best as a demonic screwball comedy, rather than as an adaptation of the Ryu Murakami novel.
In our annual Staff Picks piece we dive deep into the Sydney Film Festival program, offering up an eclectic array of films that we think you should seek out in early June.
A recent screening series held in Brisbane reflected on issues of surveillance and reportage with a pinpoint contemporaneity.
Sydney Film Festival has unveiled a surprising program this year, with a notable focus on Asian cinema and lesser known directors.
We look at the first twenty-odd films that have been announced for this year’s Sydney Film Festival program.
In Paris, we spoke with Julien Faraut, whose latest film L’Empire de la perfection is a dazzling lesson in montage, tennis and what it means to capture the real.
We spoke with director Warwick Thornton about his new film Sweet Country, Australian cinema history and the role of the archive.
To wrap up our year-end coverage, some of our contributors look back on the best films of 2017.
The editors of 4:3 present a selection of their favourite reviews and features that were published this year.