John Carney’s BEGIN AGAIN doesn’t utilize the power of cinematic minimalism or cinematic chaos, but it is a fine example of the philosophy that a good film is like a good song.
You Have to See… Smiles of a Summer Night (dir. Ingmar Bergman, 1955)
This week’s entry is the film which brought Ingmar Bergman to international acclaim, SMILES OF A SUMMER NIGHT, yet which is often overshadowed by his later and more serious films,