hajooj kuka speaks about the recent protests and revolution in Sudan, as well as capturing a different side to the conflict in his latest feature, aKasha.
Kleber Mendonça Filho and Juliano Dornelles discuss the region, sociopolitical contexts and the political trends in Brazil that inspired the Western-influenced Bacurau.
While in Sydney to present Dirty God at the 2019 Sydney Film Festival, director Sacha Polak and star Vicky Knight speak to Jessica Ellicott about the film and its reception.
We speak to Australian director Samuel Van Grinsven ahead of the world premiere of his debut feature Sequin in a Blue Room.
We speak to AGNSW Curator of Film, Ruby Arrowsmith-Todd about the latest Neon Gods film series, highlighting the works of Hou Hsiao-hsien, Tsai Ming-liang, Edward Yang, Ang Lee and more.
Tope Ogundare spoke to French director Jacques Audiard about working with American actors, why he’s steering clear of Netflix and his upcoming musical.
We speak to filmmaker Scott Barley about filming on an iPhone, the spectral qualities of cinema, and Death Grips.
The latest film from Bruno Forzani and Héléne Cattet is a Corsican free-fire ballet playing out against Bleu-de-France-saturated skies.
We speak to Australian video art duo Soda_Jerk about their new intricate cinematic collage, TERROR NULLIUS, which takes on Australian cultural myths through re-purposed film clips.
Virat Nehru speaks to director Nandita Das about her new film, which chronicles the life of one of the greatest short story writers of the 20th century.