For the first piece in our Clip Art series, Luke Goodsell writes on Michael Jackson’s “Ghosts”, a thrilling and sinister work that showcases the artist at his most complex and culturally engaged.
We spoke with director Warwick Thornton about his new film Sweet Country, Australian cinema history and the role of the archive.
To wrap up our year-end coverage, some of our contributors look back on the best films of 2017.
The editors of 4:3 present a selection of their favourite reviews and features that were published this year.
To kick off our year-end coverage, we look back on some of our favourite interviews of 2017.
Ingrid Goes West shares the inspiration of an increasingly technology-centered society, offering a different kind of contemporary twist on the thriller genre.
We spoke to Xu Bing about his lengthy career as an artist, and what inspired him to make an entry into cinema.
Martin McDonagh’s third feature is his best yet, a sharply observed film about division in America.
We spoke to Panoptic-director Rana Eid about filming painful histories, the collective process of reflection filmmakers in Lebanon are undertaking, and how her background in sound informed her debut feature.
Theo Anthony’s debut feature documentary RAT FILM looks at Baltimore through a discursive documentary lens akin to Harun Farocki and Chris Marker.
Pedro Pinho’s narrative debut is easier to admire for the scope of its ambition than it is to necessarily enjoy.