In Paris, we spoke with Julien Faraut, whose latest film L’Empire de la perfection is a dazzling lesson in montage, tennis and what it means to capture the real.
Virat Nehru speaks to director Nandita Das about her new film, which chronicles the life of one of the greatest short story writers of the 20th century.
Bernadett Tuza-Ritter’s illuminating observational documentary looks at modern day slavery in Hungary.
Ivan Čerečina reflects on the four nights of ‘The Language of the Image’ screenings at the National Gallery of Victoria, which brought together experimental film works from Gregory J. Markopoulos and Corinne and Arthur Cantrell.
Dustin Feneley’s ambitious crowd-funded debut feature Stray is a powerful and controlled drama about two lonely souls in rural New Zealand.
In recent years, Australian filmmaker Donna McRae has been determinedly creating some of the most thoughtful and powerful genre films in the country.
Emily Atef’s extraordinarily moving Romy Schneider biopic argues fervently against the simplistic media image of the actress.
Gustavo Salmeron’s debut documentary succeeds in imparting a vivid and kaleidoscopic image of one woman’s incredible gusto for life;
Ivan Čerečina spoke with the “Gregory J. Markopoulos and the Cantrills: The Language of the Image” curators Audrey Lam and Keegan O’Connor about the upcoming screenings and the importance of the links between filmmakers, institutions and archives in the organisation of the program.
The Long Season captures the state of suspension experienced in a Syrian refugee camp in Lebanon’s Bekaa Valley with nuance and care, with a pronounced focus on the community’s day-to-day life in the camp.
Jessica Ellicott speaks with director Alena Lodkina about her debut feature STRANGE COLOURS, ahead of its Sydney Film Festival