A slightly above-average revenge flick sees Keanu Reeves play the atypical Seagal role in a mostly amusing throwback to ’90s action cinema.
Interstellar
Christopher Nolan’s obsession with bringing his ambitious space epic down to earth ends up damaging it beyond forgiveness.
Pride
Whilst Matthew Warchus’ film PRIDE might at times feel a little too easily contructed, its consistent humour and respect for its subjects allows it to stand out amongst modern queer cinema.
The Judge
David Dobkin’s The Judge has high hopes, but never quite delivers, in this heavy-handed family drama.
Living Is Easy (With Eyes Closed)
As fruitlessly starry-eyed as its protagonist, Living is Easy is not much of anything; not uplifting, compelling, or even so terrible as to inspire morbid curiosity.
Men, Women & Children
Jason Reitman’s latest merges his usual quirky ensemble piece with an overbearing sense of melodrama, derailing any real social commentary this “Internet-age” feature reaches for.
Tusk
A prolonged joke film, Kevin Smith delivers what could have been an amusing short and drags it out to feature length, packed with tiresome dialogue and a dire supporting performance, its saving grace the ever-impressive Michael Parks.
Gone Girl
David Fincher’s latest is an impressive darkly comic foray into the perils of perception, though it doesn’t entirely transcend its pulpy narrative.
The Equalizer
The latest in the string of Taken knock-offs, THE EQUALISER’s technical mediocrity is made all the worse through its dubious morality
We Are the Best!
Lukas Moodysson’s ode to friendship via punk rock is an endearing and amusing coming of age narrative with some great central performances.