Stephen Frears’ take on the story of a New York socialite’s unlikely singing career cheerfully toes the line between mocking the notion of bad art and becoming it.
We spoke with Amy Simmons, author of a new book on Lars von Trier’s ANTICHRIST, about the film’s legacy, her interest in the project, and von Trier’s greater body of work.
We spoke with filmmaker Michael Robinson about his new film MAD LADDERS, his work, inspirations, and the time the divine manifested itself in Pee-Wee’s Playhouse.
Ahead of the release of THE FORCE AWAKENS we present this mix of weird and wonderful musical knock-offs of John Williams’ STAR WARS score.
Vin Diesel’s passion project fantasia is an unfortunately straight-faced film, complete with an underused cast and a dull script.
Steven Spielberg’s impressive BRIDGE OF SPIES sees him re-team with Tom Hanks for a Cold War thriller coloured by anxious American idealism.
The debut feature of Amber Fares delivers a passable look at the first all female Palestinian drag-racing team, a group known as the Speed Sisters.
Michael Madsen’s documentary about the possibility of alien contact is unfortunately straight-faced and lacking imagination.
Robert Zemeckis’ THE WALK is a thrilling spectacle and yet another one of his delightful odes to eccentric dreamers.
Nima Nourizadeh’s second feature (and first collaboration with Max Landis) is an underwhelming and miscalculated stoner comedy stifled by a second-rate action movie plot.