We speak to Australian director Samuel Van Grinsven ahead of the world premiere of his debut feature Sequin in a Blue Room.
We look at the full program of the 66th Sydney Film Festival, which boasts a fascinating Official Competition and a plethora of retrospective offerings.
We speak to Australian video art duo Soda_Jerk about their new intricate cinematic collage, TERROR NULLIUS, which takes on Australian cultural myths through re-purposed film clips.
Virat Nehru speaks to director Nandita Das about her new film, which chronicles the life of one of the greatest short story writers of the 20th century.
Emily Atef’s extraordinarily moving Romy Schneider biopic argues fervently against the simplistic media image of the actress.
Gustavo Salmeron’s debut documentary succeeds in imparting a vivid and kaleidoscopic image of one woman’s incredible gusto for life;
The Long Season captures the state of suspension experienced in a Syrian refugee camp in Lebanon’s Bekaa Valley with nuance and care, with a pronounced focus on the community’s day-to-day life in the camp.
Jessica Ellicott speaks with director Alena Lodkina about her debut feature STRANGE COLOURS, ahead of its Sydney Film Festival
Sinead O’Shea’s documentary about paramilitary violence in Northern Ireland makes for devastating viewing.
Nicolas Pesce’s latest works best as a demonic screwball comedy, rather than as an adaptation of the Ryu Murakami novel.