Paul Verhoeven’s first feature in ten years is a brutal film that offers its audience an intelligent, unconventional treatment of contemporary social taboos.
High-Rise
Ben Wheatley’s adaptation of J.G. Ballard’s classic novel makes good on its 1970s setting and thematic prescience, but ultimately drowns beneath an ironic sense of boredom.
88:88
Isiah Medina’s debut feature is an affecting experimental portraiture of life, love and poverty.