hajooj kuka speaks about the recent protests and revolution in Sudan, as well as capturing a different side to the conflict in his latest feature, aKasha.
Kleber Mendonça Filho and Juliano Dornelles discuss the region, sociopolitical contexts and the political trends in Brazil that inspired the Western-influenced Bacurau.
While in Sydney to present Dirty God at the 2019 Sydney Film Festival, director Sacha Polak and star Vicky Knight speak to Jessica Ellicott about the film and its reception.
Luke Lorentzen’s excellent observational documentary shines a light on the operators of a private ambulance in Mexico City.
The latest film from Bruno Forzani and Héléne Cattet is a Corsican free-fire ballet playing out against Bleu-de-France-saturated skies.
The Brazilian drama from directors Juliana Rojas and Marco Dutra works best as an engaging film about love and class, rather than the genre film it eventually becomes.
Nathaniel Kahn’s art-doc is fixated on finance but struggles to make any salient points about the development of value in art.
Sebastián Silva’s latest provocation is an exercise in alienation, following a ‘guys’ weekend’ charged with unsettling racial undertones.
The latest documentary by Véréna Paravel and Lucien Castaing-Taylor is fixated on Issei Sagawa, the infamous Japanese man who in 1981 murdered, had sex with, and cannibalised a classmate.
Virat Nehru speaks to director Nandita Das about her new film, which chronicles the life of one of the greatest short story writers of the 20th century.