Maneesh Sharma’s FAN is a Shah Rukh Khan vehicle like no other, a return to form for the actor and an amusing metacommentary on the nature of the film industry and celebrity in India today.
We sat down with director Christina Zeidler to chat about the process of filmmaking, cities, sexuality and her latest work, PORTRAIT OF A SERIAL MONOGAMIST.
Adam McKay’s latest puts sociopolitical commentary at the forefront, a compelling and damning look at Wall Street and a willfully ignorant public.
UMRIKA is a unique visual and dramatic experience and ought to be celebrated as such.
Meghna Gulzar’s TALVAR is a triumph: a complex and layered examination of a notorious murder investigation with an intelligent script and strong lead performances.
At the Indian Film Festival Melbourne we spoke to film critic Rajeev Masand about modern Indian cinema and the influence of celebrity.
IRRATIONAL MAN, Woody Allen’s latest effort, is let down by its creator’s frustrating overindulgences and a hackneyed, uneven screenplay.
Leslye Headland’s rom-com is an amusing modern take on the genre, led by two impressive performances from Jason Sudekis and Alison Brie.
Guy Ritchie turns in an enjoyable if slight re-imagining of the Cold War-era television show.
Kahlil Gibran’s The Prophet is a strong collaborative effort that is a worthy homage to Gibran’s enduring work and eclectic philosophy.