Kiyoshi Kurosawa’s first international co-production is a ravishing affair.
Alexandra Heller-Nicholas dives deep into the underseen and oft-underappreciated films of director Elaine May, whose A NEW LEAF screened at Melbourne International Film Festival this year.
The feature debut of Turkish director Can Evrenol turns the corruptions of masculinity into a brutal and meaningful horror tale.
We spoke to filmmaker Anna Biller about her new film THE LOVE WITCH ahead of its Australian festival screenings, and where sits in both her body of work and cinematic feminism.
A loving look at the cult film that wasn’t: Alexandra Heller-Nicholas on William Peter Blatty’s underseen and underappreciated The Ninth Configuration, with some commentary from the director himself.
Alexandra Heller-Nicholas speaks to actress Barbara Magnolfi about her work in Dario Argento’s iconic SUSPIRIA and her career as a whole.
This year marks the 25th anniversary of Prince’s oft-maligned GRAFFITI BRIDGE, his pseudo-sequel to PURPLE RAIN and third directorial effort. Alexandra Heller-Nicholas looks at Prince’s filmography and writes in praise of his 1990 feature.
The Blaine brothers turn in the year’s most emotionally intelligent horror film with NINA FOREVER.