Depicting the service of a religious American pacifist in World War II, Mel Gibson’s new directorial outing is overtly beatific and brutal.
The newest from Todd Solondz continues his penchant for funny and withering social critique with a four-part anthology of sharp, sad stories.
Ryusuke Hamaguchi’s five-hour film is a fascinating organic and character-driven drama that showcases an astounding attention to the minutiae of the lives of four women.
With his adaptation of Lewis Grassic Gibbon’s classic novel SUNSET SONG screening at the Melbourne International Film Festival, we spoke to director Terence Davies about his film, great melodramas and, surprisingly, Channing Tatum.
The latest long-form documentary from Frederick Wiseman examines a multi-cultural Queens borough with breath-taking eloquence and joy.
The latest feature-length hangout from Richard Linklater, EVERYBODY WANTS SOME!!, is a generous, congenial study on male competitiveness and the thrill of youth.
The sequel to 2014’s BAD NEIGHBOURS coasts by with its ribald antics, social progressiveness and strong performances from Seth Rogen and Rose Byrne.
THE BOSS is a smug, tacky and indefensible cavalcade of free-market conservative values dressed up in innocent buffoonery.
Earlier this week the Cannes Film Festival announced its 2016 Official Selection, including a packed competition filled with Cannes favourites.
Laszlo Nemes’ SON OF SAUL becomes one of the most accomplished recent narrative representations of the Holocaust on screen through its embrace of the impossibility of witness.