Alice Lowe’s pre-natal horror Prevenge shies away from biting commentary, content with absurd bloodlust.
To call Peter Vack’s anilingus-filled debut feature film ‘graphic’ would be a gross understatament.
Conor Bateman speaks to filmmaker Bill Morrison about his latest film, DAWSON CITY: FROZEN TIME, which tells the story of American capitalism through the guise of a Gold Rush historicity.
The newest from Todd Solondz continues his penchant for funny and withering social critique with a four-part anthology of sharp, sad stories.
THE OTHER SIDE is Roberto Minervini’s look into the abject poverty and political dissent of rural Louisiana, with results as fascinating as they are morally murky.
We speak to Thorsten Schütte, director of EAT THAT QUESTION, about his lifelong appreciation of Frank Zappa and the process of documenting his life and worldview exclusively through archival footage.
Nanfu Wang’s documentary on protests against a Chinese legislative cover-up is a vital condemnation of government-sanctioned violence.
Using only interview and performance footage, director Thorsten Schütte revitalises Frank Zappa’s unique persona for fans and newcomers alike.
With an oddball performance from Christopher Lloyd, I AM NOT A SERIAL KILLER’s mix of teen tropes and horror gore mostly succeeds in its attempt at originality.
We spoke to Jai Love, the Sydney-based director of DEAD HANDS DIG DEEP, about the documentary’s iconic subject, death-rock frontman Edwin Borsheim, and the process of investigating his dark worldview.