We look at Agnes Varda’s underseen One Hundred and One Nights, a film made to celebrate the centenary of cinema in 1995.
A Slightly Pregnant Man (dir. Jacques Demy, 1973)
Jacques Demy’s A SLIGHTLY PREGNANT MAN turns its one-line premise into something quite enjoyable through progressive satire and Mastroianni’s fun performance.
Con Man (dir. Jesse Moss, 2003)
Jesse Moss’ debut documentary feature centers on a con artist whose ambitions seem both relatable and, more importantly, strangely honourable.
Away with Words (dir. Christopher Doyle, 1999)
Christopher Doyle’s Away With Words shows the cinematographer directing and writing the script of a Hong Kong tale of displacement. It results in one of his most complete efforts to date.
The Target Shoots First (dir. Christopher Wilcha, 2000)
Christopher Wilcha’s intimate look at the inner workings of Columbia Record Club is a wryly funny and engaging act of creative rebellion within a corporate structure.
The Gold of Naples (dir. Vittorio De Sica, 1954)
This week in Less That (Five) Zero, we look at Vittorio De Sica’s influential but lesser known anthology film from 1954, THE GOLD OF NAPLES
The Lost One of German Film History – Peter Lorre’s Der Verlorene (1951)
This week on Less Than (Five) Zero we look at a forgotten gem of German cinema, Peter Lorre’s companion piece to Lang’s M, DER VERLORENE.
School in the Crosshairs (dir. Nobuhiko Obayashi, 1981)
This week on Less Than (Five) Zero we look at a film from the maker of cult hit HAUSU, Nobuhiko Obayashi’s playful genre-bending superhero film SCHOOL IN THE CROSSHAIRS.
Kinetta (dir. Yorgos Lanthimos, 2005)
This week on Less Than (Five) Zero we look at the debut feature from DOGTOOTH helmer Yorgos Lanthimos, the character triptych KINETTA.
I Hate But Love (dir. Koreyoshi Kurahara, 1962)
In this week’s Less Than (Five) Zero, we look at one of Koreyoshi Kurahara’s less revered pieces, the Japanese New Wave off-cut I Hate But Love