Amit Masurkar’s darkly comic NEWTON is a brilliantly pointed take on Indian democracy.
The debut feature from writer-director Amanda Kernell is a story of internalised racism and coming-of-age.
Frankie Fenton’s documentary on the life of director Simon Fitzmaurice unfortunately positions the filmmaker only in the context of his disability.
The latest film from Nana Ekvtimishvili and Simon Groß is a subtly powerful and patient character study that relishes in sensory pleasures.
Abacus: Small Enough to Jail tells a compelling story about institutional racism in the guise of a banking documentary.
At Sydney Film Festival, Lidiya Josifova caught up with Teona Strugar Mitevska to talk about the socio-political and economic issues plaguing Macedonia, achieving emotional authenticity in her work, and the avenues for the distribution of Macedonian cinema.
Chicken People is ostensibly a documentary about the world of competitive chicken shows, yet it succeeds most as a documentary about the nature of obsession.
Angry Inuk is a small step forward in acknowledging the complexity of an issue that’s long been portrayed as black and white.
Afterimage is an austere biopic set in postwar Łódź, depicting the final years of Polish painter Władysław Strzemiński.
The War Show will linger as a bloodied testament to the loss and sacrifice faced by those forced into diaspora.