The latest film from Nana Ekvtimishvili and Simon Groß is a subtly powerful and patient character study that relishes in sensory pleasures.
Abacus: Small Enough to Jail
Abacus: Small Enough to Jail tells a compelling story about institutional racism in the guise of a banking documentary.
When The Day Had No Name – An Interview with Teona Strugar Mitevska
At Sydney Film Festival, Lidiya Josifova caught up with Teona Strugar Mitevska to talk about the socio-political and economic issues plaguing Macedonia, achieving emotional authenticity in her work, and the avenues for the distribution of Macedonian cinema.
Chicken People
Chicken People is ostensibly a documentary about the world of competitive chicken shows, yet it succeeds most as a documentary about the nature of obsession.
Angry Inuk
Angry Inuk is a small step forward in acknowledging the complexity of an issue that’s long been portrayed as black and white.
Afterimage
Afterimage is an austere biopic set in postwar Łódź, depicting the final years of Polish painter Władysław Strzemiński.
The War Show
The War Show will linger as a bloodied testament to the loss and sacrifice faced by those forced into diaspora.
Pop Aye – An Interview with Kirsten Tan
At Sydney Film Festival, Jeremy Elphick caught up with Kirsten Tan to talk about Pop Aye, the process behind filming the work, and her career as a filmmaker refusing to remain stagnant.
Mayhem
Although Mayhem is far from perfectly executed, the executions throughout the film are near perfect.
Hotel Salvation
Hotel Salvation conveys a philosophical examination of where contemporary India finds itself now and where it sees itself headed in the near future.