In our second conversation with George Gittoes, we talked to the director about receiving the Sydney Peace Prize, his most recent work, and his future relationship with the city of Jalalabad.
We spoke to Akihiko Shiota at Locarno to talk about his latest film WET WOMAN IN THE WIND, the roman porno genre that it seeks to remould, and the manner in which Shiota approached making such a particular film.
We spoke to Katsuya Tomita at Locarno to talk about his latest film BANGKOK NITES, the intersections shared in Japan and Thailand’s histories and identity, the process behind the film, and the inspiration other filmmakers had on the work.
We spoke to Anocha Suwichakornpong at Locarno to talk about her latest film BY THE TIME IT GETS DARK, the process behind the work, and the broader cinematic landscape within Thailand today.
We spoke to Ralitza Petrova at Locarno about her Golden Leopard winner, GODLESS, the process behind the work, and the future of Bulgarian cinema.
We caught up with SLAVA directors Kristina Grozeva and Petar Valchanov at Locarno Film Festival to talk about their latest work, newspapers in Bulgaria, and their process of inspiration.
We caught up with João Pedro Rodrigues to discuss the personal elements of his latest work, the process that inspires him, and the broader context that informs his choices.
We spoke to director Radu Jude about his approach to cinema, his broader work as an artist, and his latest work SCARRED HEARTS, which premiered at Locarno Film Festival.
We speak to Polish director Jan P. Matuszynski about his first drama feature, THE LAST FAMILY, and the exhaustive process of getting the story to the screen.
We caught up with Wang Yichun at Sydney Film Festival to discuss her debut feature film, WHAT’S IN THE DARKNESS, her experiences that inspired it, and her future ideas and ambitions as a filmmaker.