At Sydney Film Festival, Jeremy Elphick caught up with with Rusudan Glurijidze to talk about filming conflict, bringing the work together, and the reception it has received back home.
At Sydney Film Festival, Jeremy Elphick speaks to Anocha Suwichakornpong about how her relationship with her film has changed since its world premiere in Locarno last year.
At Sydney Film Festival, Jeremy Elphick caught up with Kirsten Tan to talk about Pop Aye, the process behind filming the work, and her career as a filmmaker refusing to remain stagnant.
Jeremy Elphick talks with WOLF AND SHEEP director Shahrbanoo Sadat about the relationship between her history and her cinema, movements that have inspired her, and how she feels Afghanistan has been portrayed on screen.
We spoke with directors Arash Kamali Sarvestani and Behrouz Boochani about their groundbreaking Manus Island documentary Chauka, Please Tell Us The Time.
In our second conversation with George Gittoes, we talked to the director about receiving the Sydney Peace Prize, his most recent work, and his future relationship with the city of Jalalabad.
We spoke to Akihiko Shiota at Locarno to talk about his latest film WET WOMAN IN THE WIND, the roman porno genre that it seeks to remould, and the manner in which Shiota approached making such a particular film.
We spoke to Katsuya Tomita at Locarno to talk about his latest film BANGKOK NITES, the intersections shared in Japan and Thailand’s histories and identity, the process behind the film, and the inspiration other filmmakers had on the work.
We spoke to Anocha Suwichakornpong at Locarno to talk about her latest film BY THE TIME IT GETS DARK, the process behind the work, and the broader cinematic landscape within Thailand today.
We spoke to Ralitza Petrova at Locarno about her Golden Leopard winner, GODLESS, the process behind the work, and the future of Bulgarian cinema.