Hotel Salvation conveys a philosophical examination of where contemporary India finds itself now and where it sees itself headed in the near future.
Directors Khushboo Ranka and Vinay Shukla rely almost exclusively on a broad brush to paint the narrative of political figure Arvind Kejriwal.
At the Sydney Film Festival, Virat Nehru caught up with director Shubhashish Bhutiani to talk about his film Hotel Salvation and the growing trend of Indian films focused on small towns.
Baahubali: The Conclusion is a triumph of Rajamouli’s ambitious vision, with the sheer scale of the spectacle is itself worth the price of admission.
Instead of adding any nuance or complexity to representations of India and Indian characters, Lion traffics in obnoxious generalisations and harmful stereotypes.
The first part in a new series set in the world of HARRY POTTER has enough familiar delights to outweigh its tedious moralising and uneven cast.
Ae Dil Hai Mushkil offers flashes of brilliance doused by the disappointment of a missed opportunity, whilst laying the groundwork for important developments in the future of mainstream Bollywood.
A discussion with renowned Indian filmmaker Anurag Kashyap (Gangs of Wasseypur, Raman Raghav 2.0, Dev.D) on censorship in an Indian context, the relationship between art and commerce, and supporting good cinema.
We take a look at the full line-up for the 2016 edition of the Indian Film Festival Melbourne, which was announced earlier this month.
THITHI follows hot on the heels of COURT (SFF 2015) as a minimalist gem that uses absurdity and a non-professional cast to reveal the struggles of postcolonial India.