Eloise Ross reviews Luca Guadagnino’s latest portrait of desire, told with the filmmaker’s unique and detailed attention to place.
Hidden Figures is an entertaining and compelling film centered on a mostly overlooked piece of history, one which acts as a nexus point for the civil rights movement and the Cold War.
Anna Biller dares us to be mesmerised without being beguiled, and to parse the realm of female agency without demonising its contradictions.
Noted video essayist Kogonada turns to feature filmmaking with the striking and atmospheric Columbus.
The last of our 3 Sundance reports from Eloise Ross, wrapping up with films from Harriet Lauler, Geremy Jasper, and more.
Kenneth Lonergan’s third feature film revisits his pet themes of grief, family and community, all conveyed with the sharply observed realism which defines his writing.
M. Night Shyamalan’s latest is outlandish in premise and limp in execution.
Eloise Ross reports back from Sundance, looking at new films from Gillian Robespierre, David Lowery and more.
Barry Jenkins’ second feature is a complex and beautiful film buoyed by the tactile qualities of its images.
In our first dispatch from the Sundance Film Festival, Eloise Ross reflects on a group of political films (and one vociferously apolitical film) in what was a deeply troubling week.