For the first piece in our Clip Art series, Luke Goodsell writes on Michael Jackson’s “Ghosts”, a thrilling and sinister work that showcases the artist at his most complex and culturally engaged.
In the wake of Terminator 2’s digital return to theatres, Frazer Bull-Clark examines the legacy of James Cameron’s classic blockbuster — and how its analogue craftsmanship has endured over time.
In this feature piece, C.J. Prince writes on some of the highlights in this year’s Short Cuts programme at the Toronto International Film Festival.
Kai Perrignon writes on the kinship shared by Kenzo Okuzaki and David Crowley, published in partnership with Melbourne International Film Festival’s Critics Campus program.
Queensland Film Festival stands out from the local film festival landscape through its short film programming, which is concise and well considered.
Melbourne International Film Festival starts this week and our contributors are here to give you their picks for what looks to be the best of the fest.
Alexandra Heller-Nicholas pens a love letter to the work of filmmakers Justin Benson and Aaron Moorhead, whose latest film THE ENDLESS screened at Queensland Film Festival.
We wrap up our extensive coverage of the 2017 Sydney Film Festival with some awards and a handy indexed list of our interviews and reviews.
Queensland Film Festival and the Institute of Modern Art (IMA), in Queensland’s Fortitude Valley, have partnered to screen a series of experimental film programs in 2017. The IMA, an independent arts centre established in the mid-1970s, was a venue for the inaugural Queensland Film Festival in 2015. All three of the announced programs are concerned
In our annual Staff Picks piece we dive deep into the Sydney Film Festival program, offering up an eclectic array of films that we think you should seek out in early June.