Tony Palmer’s documentary on Leonard Cohen’s near-disastrous 1972 European tour acts, somewhat inadvertently, as a strong testament to the quirky authenticity of Cohen’s artistic persona.
We spoke to Jai Love, the Sydney-based director of DEAD HANDS DIG DEEP, about the documentary’s iconic subject, death-rock frontman Edwin Borsheim, and the process of investigating his dark worldview.
The directorial debut of screenwriter James Schamus, INDIGNATION enriches the Philip Roth source material with an old-fashioned sensibility.
We spoke to Australian director Sean Byrne about his new horror feature, THE DEVIL’S CANDY, and his overall approach to the genre.
Norwegian disaster film THE WAVE features some very impressive special effects but is sunk by its cliché-ridden narrative.
UNDER THE SUN uses both a narrative propaganda film and its behind-the-scenes B-roll to reveal a funny, awkward human antithesis at the heart of the North Korean regime.